Let's dive into the world of Marc Fennell and his groundbreaking show, 'Stuff the British Stole' (STBS). This project, which has evolved from a podcast to a hit TV series and now a book, is a labor of love and a deeply personal journey for Fennell.
A Journey of Discovery
STBS began as a simple idea: to explore the contested objects in museums and galleries, many of which have a dark and often ignored history. Fennell's curiosity was piqued when he interviewed historian Alice Procter, who conducts rogue tours of museums, shedding light on the stolen artifacts within.
What makes this project so fascinating is the personal connection Fennell has to it. As a 'third-culture kid' with a mixed heritage, he felt a deep-rooted need to uncover his history. Growing up in 90s Australia, where being 'as white as possible' was the goal, Fennell's identity was often questioned. STBS became a way for him to reclaim his roots and understand his place in the world.
The Impact of STBS
The show has had a profound effect on Fennell's life and career. He admits that it changed his life, but the toll it takes on him is evident. STBS is not just a show; it's a passion project that consumes his time and energy. With a team behind him, Fennell still feels the weight of responsibility, and the impact on his personal life is significant.
The latest season, which took two years to make, is a testament to Fennell's dedication. He wanted to leave nothing on the table, knowing that each season might be the last. This season explores tea, Captain Cook, and slavery, all through the lens of British colonial theft.
Critical Reception and Challenges
Fennell has faced criticism for his focus on British colonial theft, with some questioning why he doesn't cover other empires' histories. He addresses this by pointing out the unique impact of the British Empire on places like Australia and the fact that British history often hides behind politeness, avoiding the darker aspects.
The British Museum, a key player in this story, has a complex relationship with STBS. While they acknowledge the show on social media, they refuse to engage further, shutting down requests for interviews or footage. Fennell is done with being polite about this, believing that the Museum should walk the talk and address these issues head-on.
Beyond the Show
STBS has opened doors for Fennell, leading him to host Mastermind and explore other diverse projects. He describes himself as 'professionally curious,' always asking questions and seeking new avenues to explore. This curiosity led him to become a hand model at a young age, an experience he looks back on with humor and reflection.
Fennell's journey with STBS is a powerful reminder of the impact one person can have when they pursue their passions and tell stories that need to be heard. It's a journey worth celebrating and exploring further.
